Lil Nas X - Old Town Road
Lil Nas X - Old Town Road: Blog tasks
Read this Vox feature and podcast transcript on Lil Nas X and Old Town Road. Make sure you read the whole thing - including the podcast transcript - then answer the following questions:
1) What is the big debate regarding Old Town Road and genre?
2) What do you learn about the background of Lil Nas X and Old Town Road from the podcast transcript?
He is a 20-year-old rapper from Atlanta. Technically his birth name is Montero Hill, but he has been calling himself “Lil Nas X” for several years now. And last year he joined SoundCloud, as many people do. And by the end of the year in December he released a song called “Old Town Road.” He bought a beat that had this sort of country-sounding instrumental to it. And he said he was living at home feeling very lonely, feeling like a lonely cowboy, and he decided to pair that feeling with this sort of twangy beat that he bought. So “Old Town Road” starts off very much as this deep-voiced ode to the simple life on the dirt road path with your horse. And then it breaks into what he calls “country trap.”
3) What is the Yeehaw agenda?4) How did the story become a debate about race in America?
5) How does Charlie Harding sum up the whole thing in the final part of the podcast transcript?
"Absolutely. We have to also point out how amazing it is that this thing which was a meme that was commentary on cowboy culture and black identity that became an immediate overnight thinkpiece which an aging country star then remixed. Like, this thing is entirely of our moment. This is not old country music of a rural community. This is the internet generation."
He talks about how historically, country musicians have invited black musicians to share the stage with them. He adds that people now categorise their listening according to mood just as much as genre, which completely challenges conventional wisdom on the significance of these broad classifications. He concludes by discussing how a meme that was a critique of black identity and cowboy culture quickly gained popularity and was later altered by an ageing country music singer.
Now read this Salon feature on Lil Nas X and LGBTQ+ identity. Answer the following questions:1) How did Lil Nas X announce his sexuality on social media?
2) Why does the article describe Old Town Road as 'genre-blurring'?
3) How has country music demonstrated the social change taking place in American culture and society?
The trend in growing acceptance and support followed a nationwide social and political shift. By 2014, the states that had legalized same-sex marriage cumulatively contained 70 percent of the U.S. population. Then, in 2015, U.S. Supreme Court struck down all state bans, making marriage equality the law of the land.
Old Town Road textual analysis
- time period
- horse and car race
- costumes and props
- conflict=dance off
- race/ethnicity
- gun reveal=classic western action code
- race, horse(hooves sparks) all action
- 'in media res' = starts in middle off action
- multiple examples of disequilibrium
- ends with new equilibrium
- culture conviviality
- Lil Nas X character as hero
- Billy Ray Cyrus as helper/sidekick
- this subverts stereotypes towards race and age
- Billy Ray Cyrus=country legend
- pink suit to subvert it
- rap genre=mariachi. porch, wrangler, Gucci, fender
- dialogue Compton
- car/horse scene=Lil Nas X tune in background
- back to the future (time travel)
- fast and furious= lots of pop culture
- Chris Rock out takes
- comedy pieces included
- Billy Ray Cyrus
- western move genre(dialogue)
- transition, title font, music and sfx
- social media/Tiktok=dancing, screen within screen
- almost entirely black cast
- 'Yeehaw agenda'
- final scene predominantly white but also scene of cultural conviviality
- to appease mainstream white audience?
- opening reinforces gender stereotypes
- mainly subverts traditional masculinity 'Marlbar man'
- pink suit, Lil Nas X's jacket= modern masculinity
- clothing bright, blinding
- Lil Nas X open about sexuality
- not explicit? but alluded to it
- white picket fence
- cultural conviviality
- American white dream street but all black people living there
- Archetypal-- A representation that is very typical of a person, place or thing.
- Cultural Myth--- Deeper ideologies that have been shaped through cultural coding through connotations over time.
- Hypermasculine-- An exaggerated representation of masculinity which emphasises physical strength.
- The video is a camp black western, complete with a hick hoe-down, car vs. horse showdowns and most importantly a stranger riding into town.
- The exposition of the video starts in media res (in the middle of action) and shows Lil Nas X riding through rugged countryside of the outback being chased by the sheriff and his deputies. Traditional westerns used deserted rocky, uninhabited settings to depict a particular form of American intrepidness that was dangerous and hostile for individual
- The Wild West of the 1800s is transposed to Los Angeles to create a comic juxtaposition for the audience; from the desolate, unwelcoming outback to the suburban streets of Los Angeles where the inhabitants are filmed in slow motion astonished at the sight of this newcomer.
- The video ends with Lil Nas hugging a little white Bingo playing, line-dancing old lady, subverting the negative stereotype of the threatening black man as well as suggesting that outsiders should not be feared. This culminates in a message which constructs a hyperreality of inclusivity and community above fear and violence.
- Furthermore, these signifiers of wealth such as clutching a money bag with a dollar sign on it, construct the hyperreality of The American Dream, a cultural myth that states everyone should have equal access and opportunities, especially when it comes to success.
- Judith Butler’s theory effectively to the video as it draws attention to the performative nature of gender. Stereotypical feminine gender codes, such as the pink suits and flowers, highlight that “the inner truth is a fabrication.” Lil Nas X and Billy Ray Cyrus do not “perform” like conventional cowboys.
- David Gauntlett’s identity theory would argue that more varied and nuanced representations of masculinity offer audiences have more identity models to follow. Plus, marginalised representations of gay, black country, and rap artists getting mainstream exposure and being accepted could pave the way for more artists from these groups.
- Paul Gilroy’s idea of double-consciousness could be applied through the idea that Lil Nas X has openly stated he’s struggled with his own sexuality and Christian background, as well as being a black artist trying to break out in the white-centric genre of country and western music. Furthermore, the sub-genre concept of hybridity in music create through African American influence is clear in how Lil Nas X is forging a type of country music.
- Stuart Hall’s concept of transcoding stereotypes could be useful ad Lil Nas X subverts the aggressive black male stereotype, especially in regard to the violent, misogynistic, homophobic rap star.
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